The Historical past of Mixed Media Art

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Laura created mixed media art using dried flowers, texture paste and acrylic paint in our painting class!

Mixed Media Art is a type of artwork where a variety of mediums are utilized. There is an important difference between “mixed-media” artworks and “multimedia art”. Mixed media mean a work of visual art that mixes several traditionally unique visual art media. To provide an example, a work on canvas that mixes paint, ink, and also collage could appropriately be called a “mixed media” work – but not a work of “multimedia art.” The concept of a multimedia art means a greater scope than mixed media, mixing visual art with non-visual materials (including recorded sound, for example) or with elements of the other arts (such as literature, drama, dance, motion graphics, music, or interactivity).

What we know today as mixed media art started during the early twentieth century, when artists looking for an alternative to what they found as hidebound academicism began including things and images that were certainly not considered to be art materials in their works. Good examples of everyday materials being included in ceremonial or aesthetic materials can be found dating back to prehistory, however, these were produced with different intentions, and served an extremely different social purpose compared to the objects all of us consider as “art.”

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Kurt Schwitters is one of the 20th Century’s best known collage artist!

The Nazi regime banned Schwitters's work as "degenerate art" in 1937.

Picasso’s Still Life with Chair Painting (May 1912) is often considered the initial modern collage, it is actually an assemblage of oil paint, oil cloth, pasted paper, as well as rope, turning it into a low-relief, three-dimensional work. The 1st collages constructed exclusively of paper, on the contrary, were created by Braque in the summertime of 1912, when he utilized wood-grained wallpaper into a series of charcoal drawings. After a brief lull in collage activity, the 1920s’ art scene witnessed the arrival of German dada artist Kurt Schwitters’s stimulating array of personal expressions performed in collage and assemblage. He glued typical found papers and things of all types to canvas, paper, along with board supports, providing them with a second and most likely more prominent life.

In the 1930s, Henri Matisse utilized cut-paper shapes as basic work for commissioned items to be accomplished in other media. But in 1947, he published a small portfolio of 20 color plates of his cutout designs. Joseph Cornell’s work in stage just like boxed assemblages during the early 1940s started out the abstract expressionists’ exploration of collage as an art form. The freedom of expression engendered through collage explorations led directly to the assemblages, constructions, and also combine paintings of Robert Rauschenberg, Jasper Johns, Jean Dubuffet, and Ellsworth Kelly, as well as to their experimental work in the 50′s as well as 60′s. And their own work in turn created the climate for the installations, appropriations, settings, and innovative object works of the eighties and 1990′s.

Mixed media art, drawing from the efforts of early artists, made mixed media an accessible art form for both expert and inexperienced artists. Assemblage and collage can be found combined with acrylic and watercolor painting, rubber-stamped art, sculpture and altered books. Fibers, torn papers, inks, glitter and beads are finding their way into works of fine art as well as commercial pieces including greeting cards and quilts. The destiny of mixed media, it appears, is bound only by the imagination of artists and anything they can get their hands on.