Joan Hodgkiss is a Suffolk-based printmaker and artist. Her etchings are largely derived from imagery of coastal landscapes, still life and natural history. Using traditional techniques Joan creates contemporary etchings. Subtle differences in the hand-colouring and hand-printing process make each print unique. These limited editions, signed prints give one a chance to own original art or make an ideal fine art gift. All of Joan’s current artwork is showcased in the gallery section. This website also contains details on etching techniques and background information on the artist herself.

Etching is an intaglio technique dating back to the sixteenth century in which acids are used to produce an incised art image on a metal printing plate. First a copper or zinc plate is covered in acid-resistant wax known as a ground. The artist draws through this ground, exposing the meal. The plate is then immersed in acid, which eats into the plate. Varying the exposure can create different intensities of line. Ink is then applied to the plate and the excess removed. Finally prints are made by passing the plate and paper through a press with great pressure to transfer the ink from the sunken lines. Artists such as Rembrandt, Renoir, Picasso, Degas, Toulouse Lautrec, and Whistler have all produced etchings.

All of Joan's prints are original in that each one is a hand-coloured and hand-printed impression of an original design. Joan generally produces 150 such impressions, called an edition, from each of her designs. Each is unique and each is signed and numbered. Thus the 13th print of an edition of 150 will be numbered 13/150 at the bottom left hand side of the image.

Prints produced in this way should not be confused with mass produced art prints or giclees, which, although often signed by the artist and sold as a limited edition are all identical copies and should never be sold as original prints. Genuine etchings will always have an indentation in the paper left by the edges of the plate.

Irving Amen, born 1918 in New York City is known as a master printmaker. He has produced thousands of woodcuts, etchings, lithographs and silk-screen prints. He also creates using oil and acrylic as well as some sculpture. Irving Amen had a studio in New York City for many years but moved to Boca Raton, Florida in the 1990s, where he is still producing his art. He is represented in many major art galleries and museums of the world including the Museum of Modern Art in NYC and the Smithsonian Institution's Museum of American History in Washington, DC.

Many of Amen's works have a Jewish theme. One masterpiece is his set of twelve windows at Congregation Agudas Achim in Columbus, Ohio depicting the Twelve Tribes of Israel. Much of Amen's work depicts women and children and music themes. Chess, Venice and Don Quixote are the subjects of other works. Amen also taught classes in sculpture and printmaking at such schools as the Pratt Institute (1961) and at University of Notre Dame (1962). In 1974, Amen illustrated the classic, Gilgamesh, for the Limited Editions Club with nine 3-color woodcuts and 7 part-page black and white woodcuts and linocuts. 

Taken with picplz.

Nature by Dori in our mixed media painting class.  The concept of mixed media has been utilized for hundreds of years. There are two aspects to mixed media. One has to do with advertising and the multiple ways of presenting information. This can be using methods such as radio, television or billboards together. The other has to do with art. This second mixed media, or assemblage, concerns works of art that are put together using different media for a composition such as collage, photography or painting made from whatever the artist chooses to use.

A mixed media collage implies two separate art techniques. First there is the art of collage, which is defined by the free online dictionary as an artistic composition of materials and objects pasted over a surface, often with unifying lines and color. Mixed media adds to the overall concept of working with one or more types of painting in addition to the process of attaching collage elements. Elements can include photographs, colored paper, ticket stubs, magazine articles and advertisements. Even with all this visual information, a mixed media collage can still effectively convey a strong image and message.

A real fun, and obvious, form of mixed media art is assemblage. Assemblage is a form of art that is three dimensional and composed of putting together objects that are found. Assemblage really takes mixed media art to a new level. Instead of using the traditional mixed media objects, it branches out to include anything that an artist uses to create their piece of art. It can range from common, everyday items to unusual things that you wonder where the artist even managed to find them. This form of mixed media art is fun for anyone to try, from young to old, you yourself or with a group.

In a world today where "going green" and recycling is highly promoted, and even encouraged and taught in the schools, using items in art that no longer can be used in a traditional manner has become very popular. It is another form of recycling. Some artists have become very popular and talented in this field of art. Regardless of your preference of artistic styles, it is not unusual for there to be a mix of different media. Check out the mixed media art the next time you are in an art gallery, some will be obvious, but look closely at the different canvases, some will unexpectedly be mixed media art.

Even though the term multimedia art is applied to mixed media it is not the same. Multimedia art incorporates the use of differing areas like music, dance or interactions with the person viewing the display. Mixed media provides the artist with diversity both with the use of material and with what is represented by the work. The visitor to the gallery or museum can interact with an installation or simply view. Mixed media art using fiber combines fiber along with paint, dye, thread and ink among the media. The United Nations has declared 2009 the year of natural fiber, encouraging the use of fiber in art.

Do you want to enroll yourself in painting classes Los Angeles? Have you been secretly having the very idea of learning how to paint? If you love the artistry of painting and wish you could learn to paint well, then you’re well on your way. The first step of any venture begins with having the passion to do something. The next step is to act on that desire. If you really like to learn about painting, there are individuals who are willing to help you to achieve your dream. Can be as easy to do is a bit of research by using the internet as your guide.  Find an art school or perhaps college art class near your home. Painting classes in Los Angeles has to be inexpensive.  Begin shopping around for the finest establishment which fits your budget.  In the meantime, here are a few types of painting classes that you might be interested in.

Watercolor painting is an excellent way for beginner artists to start in the realm of painting. You don’t need too much equipment and also watercolor paints are generally a lot less expensive than oils. The process of making a watercolor painting also is relatively quick, which is part of the appeal for new artists who want to see outcomes quickly. While painting with watercolors is pretty easy, there are several guidelines to keep in mind which will help your artwork stand out. Make a few test paintings just before to work on something much more substantial. Watercolor paint is extremely finicky and it takes a while to find out how to get your desired color intensity. Practice holding the brush in different ways and manipulating it to get different brush strokes. When you think you have the hang of it you may want to try your very first official painting.

Oil pastels are actually art tools that look like crayons, but they’re oil-based instead of wax-based. They permit you to blend colors more freely, but they also do not dry or fix entirely to paper; so they can be more hard to protect. Nevertheless, you can make use of pastels to make very colorful artwork. All you need to do is understand the techniques. Take an oil pastel drawing course in your art school or local community university. These types of courses can provide you with the most complete instruction on oil pastel method. The courses must teach you mixing and scraping techniques at least. Once you learn exactly how to work with oil pastels, you can practice every technique on your own.

Portrait painting is a struggle for any artist, especially a beginning artist. When learning how to do portraits, an artist must train himself to paint what exactly he sees and to do that by looking at his subject objectively. The best way to learn how to paint a portrait is by painting a portrait, then painting another and another until you turn into a skilled portrait artist.

Now that you’ve been informed in three types of painting classes Los Angeles, it’s up to you to decide which type of painting classes you believe will interest you.  Don’t forget, you are not limited to three Los Angeles painting classes stated above; you can actually select various other painting classes.

Collage artist utilizes the strategy painting and mixes two or more mediums and other found items together in a work of art. Collage artist describes his/her work as a strategy concerned with the use of 2 or more artistic media. For instance, a work on canvas which fuses paint, ink, and collage could appropriately be labeled or you can utilize a few kind of art supply, like paint and ink, paint and pastels, pastels and ink, and the like. Throughout the entire art background of mixed media artists, you will find numerous expert and well-known painters who have considered the mixed media art and astonished the industry of the arts. Listed here are a few of the impressive mixed media artists.

Cathy Horner mixes classic papers, photographs, discovered objects, as well as handmade papers with layers of paint and varnish to make her original collages on canvas, full of whimsy and a smart sense of humor. Horner's subject matter consists of a cool assortment of domestic scenes, individuals, robots, fairies, and anthropomorphic figures - all imaginatively carried out with the sort of humor that simply leaves the viewer with a grin. She brilliantly blends images, textures, and color, and her devotion to details can be seen in her own distinctive kind of presentation, as even the backs of her canvases were properly covered with vintage text and images.

Liu Shih-tung is a Taiwanese mixed media artist, born in 1970 in central Taiwan’s Miaoli County. He has been a practicing artist ever since 1985 the moment he went into the recently established senior high school art major classes and has been doing work mainly with collage since the early 2000s. From July to August this year, Liu undertook a residency at 18th Street Art Center in Los Angeles, California. Liu Shih-tung continues to be quitting installation and performance art since the early 2000s, and is right now moved by folk tradition, specifically collage making. He makes use of images cut from printed objects, a primary source of which are fashion periodicals, and recombines selected images along with paint on flat canvas.

Ray Yoshida, whose mysteriously humorous, semi-abstract paintings and collages and 40 years of teaching at the Art Institute of Chicago influenced generations of prominent artists. Mr. Yoshida’s 1st mature work was a series of collages consisting of tiny images and pieces of pictures clipped from comics organized in neat, gridded order on pieces of paper. They look as if they were produced by a methodical but possibly deranged researcher for some unknown scholarly or scientific purpose. During the 70's Mr. Yoshida turned to painting, but he returned to the comic image collages during the early 1990s.

 Lindsay:  monotype created in our printmaking class.  Printmaking is a process for producing a work of art in ink; the work called a print is created indirectly, through the transfer of ink from the surface upon which the work was originally drawn or composed. Performing this printmaking can be done in the following techniques. The most popular are the woodcut, etching, lithography, and screen-printing. Other printmaking techniques include chine-collé, collography, monotyping, engraving, drypoint, mezzotint, linocut, aquatint and batik. These techniques can also be combined.

Woodcut is a type of relief print thought to be the earliest printmaking technique, dating back to 9th century China. The artist draws a sketch on a plank of wood and then uses sharp tools to carve away the parts of the block that he/she does not want to receive the ink. The raised parts of the block are inked with a brayer and then a sheet of paper, perhaps slightly damp, is placed over the block. The block is then rubbed with a baren or spoon, or is run through the press.

Etching prints are generally linear and often contain fine detail and contours. Lines can vary from smooth to sketchy. A waxy acid-resist, known as a ground, is applied to a metal plate. After the ground has dried the artist uses a sharp tool to scratch into the ground, exposing the metal. The plate is then completely submerged in an acid that eats away at the exposed metal. This process is known as biting. The waxy resist protects the acid from biting the parts of the plate that have not been scratched into. The longer the plate remains in the acid the deeper the incisions become. The plate is removed from the acid and the ground is removed with a solvent such as turpentine. The entire plate is inked. A wad of cloth is often used to push the ink into the incised lines. The surface is wiped clean with a piece of stiff fabric known as tarlatan or newsprint paper. The wiping leaves ink only in the incisions. A damp piece of paper is placed over the plate and it is run through the press.

Lithography a printing technology developed a method of imaging limestone from which a print was produced. Based on the principle that oil and water do not mix, an aluminum or plastic plate is coated with a photopolymer film that is exposed to light through a photographic mask. The exposed areas are chemically "hardened," and the unexposed areas are dissolved when the plate is put through a chemical process. When printing a page, the plate is dampened, and the water adheres only to the unexposed, non-image areas, which repell the greasy ink that is applied to the plate immediately thereafter.

Screen-printing also known as "silk-screening" creates bold color using a stencil technique. The artist draws an image on a piece of paper or plastic film can also be used. The image is cut out creating a stencil. A screen is made of a piece of fabric stretched over a wood frame. The stencil is affixed to the screen. The screen is then placed on top of a piece of dry paper or fabric. Ink is then placed across the top length of the screen. A squeegee (rubber blade) is used to spread the ink across the screen, over the stencil, and onto the paper/fabric. The screen is lifted and the image is transferred onto the paper/fabric. Each color requires a separate stencil. The screen can be re-used after cleaning.

Lindsay created this beautiful work in our printmaking class.  Monotype prints are made by painting on nonporous surfaces such as glass, plexiglass or copper. Monotype prints, once made, need to be transferred to another surface immediately and can, for the most part, only be used to make one print. When there is ink left over, a second print, called a "ghost print," can sometimes be made, though it will be a lesser quality print. Monotyping is usually done with monotype ink, but many artists experiment using different paints, including oil pastels, and transferring to various surfaces.

Things you’ll need to make a monotype: Plexiglass or glass plate, Oil pastels, Paintbrushes, Rolling pin, Tape, Watercolor pencils, Paper. The following is the detailed steps on monotyping: 1) Find a glass or plexiglass work plate. Glass from a picture frame will work. This will be the surface where you create your image. Place the piece of paper where you will be transferring your image on top of the glass plate and mark the edges of it as a guide. 2) Place your reference photo beneath the glass plate. This could be a picture from a coloring book or a real photograph. Use watercolor pencils to outline your picture. 3) Paint your outlined drawing with oil pastels applied directly to the glass plate. Apply the oil pastels smoothly and be sure to flatten them out. You don't want any overrun when you roll your print. 4) Dampen your paper with a spray bottle of water and apply the paper to your painting plate, lining the edges up with the markings you previously made. Use clear tape to ensure the paper doesn't slide around. 5) Press your rolling pin at the center of the paper and begin rolling up and down. Do this several times to ensure your paper picks up the oil pastels. Allow the paper to sit for five minutes, then slowly peel it off your plate to reveal your monotype print.

A monotype is unique, a one-of-a-kind print. While there are a variety of ways to approach this technique, it is done using a blank piece of Plexiglas, and water-soluble oil-based paints to create the image on the Plexiglas. The image is printed onto damp paper on an etching press. Key to this method is that the print must be made while the paint is still wet.

Monoprints and monotypes are very similar. Both involve the transfer of ink from a plate to the paper, canvas, or other surface that will ultimately hold the work of art. In the case of monotypes, the plate is a featureless plate. It contains no features that will impart any definition to successive prints. The most common feature would be the etched or engraved line on a metal plate. In the absence of any permanent features on the surface of the plate, all articulation of imagery is dependent on one unique inking, resulting in one unique print.

Monoprints, on the other hand, are the results of plates that have permanent features on them. Monoprints can be thought of as variations on a theme, with the theme resulting from some permanent features being found on the plate—lines, textures—that persist from print to print. Variations are confined to those resulting from how the plate is inked prior to each print. The variations are endless, but certain permanent features on the plate will tend to persist from one print to the next.

Teaching kindergarten art lessons can be fun, simple and very, very messy.  We all know that children love to get their fingers dirty which, is why art is one of their favorite subjects. For this reason you the teacher should be always prepared for the unexpected. Make sure you sharpen your sense of smell, your hearing and your eyes in the back of your head.  So, let’s get started!

Listed below are the 7 basic tips that will help you on your first day in art class.

It is a great idea to take note of your cleaning supplies in your classroom.  Read the direction of each bottle to help you in case there is a spill or a big mess.  If you feel that you need more cleaning supplies then go to your local grocery store and buy the supplies you need.

As mentioned early children love to make a mess, it would be best to have plastic bags or drop cloth to protect the furniture.  If you are teaching your pupils a lesson on coloring then no need to protect the furniture. But you might want to reconsider if you are planning an art project on watercolor paint, acrylic paint and oil paint.

It will save you more time if you prepare each pupil’s art material than having them get it one by one.  If you allow your pupils to get their own art supplies you will create a ruckus.  Also, always remember to prepare extra art materials just in case.

When teaching an art project to your kindergarten pupils it is always a good idea to show examples for your pupils to follow.  Or you can hang your art material on the board so your pupils will have an inspiration.

It is important not to forget other work areas, such as an area for art projects to dry. If you art project involves water make sure you have several cloths on the floor while your pupil’s art is drying.  The last thing you need is a child to slip and get hurt because the floor was slippery.

Teach your pupils to clean after themselves. They should be responsible to clean their desk, paintbrushes and other art materials.  If they miss a spot you can clean it.

Now that you know how to prepare for art lessons you can apply it on the first day of school.  Remember you are the teacher and your pupils will follow your instructions.  So, do your best to make all art projects fun, simple and easy.  It is especially important that you make clean up fun. For example think of a song that your pupils enjoy and have them sing while cleaning.  Good Luck! 

Anita Muise is a self-taught artist and also ex - librarian who embraced mid-life crisis, dropped out of the corporate world, and moved to non-urban New Hampshire to end up artistically self-employed. She is now the force behind AnitaNH: Collage & Life blog. She make use of postage stamps and ticket stubs, old photos, book jackets and covers, little items along with numbers on them, anything old and unusual that adds fascination and helps the story. Recently she has been making use of more scanned images of items in place of the original. Her librarian side takes over deeming certain items just too precious to be indelibly converted into collage art. Along with keeping the original, scanning also makes it possible for formation of several images, along with alterations in color and size.